Reviews

Love on the Menu reached 13.3 percent, making KBS weekend drama recovery a data question rather than a hype story.

Blue Salt's move from Netflix Korea No. 4 to No. 3 reframes a 771,699-admission theatrical miss as a useful streaming case study.

There is a particular kind of K-pop comeback that announces itself without needing to announce anything. (G)I-DLE's mini ninth album We Made, released July 6, 2...

BBGIRLS BODY WAVE is a bright, member-led summer comeback that reconnects the trio with the season that once changed their career.

UAU’s GENE gives the comeback its visual identity, but Tuesday makes the stronger musical case for the Dreamcatcher unit’s next lane.

Hat:q's Life Goes On MV turns ordinary daily emotions into a warm, reflective Korean pop release on Stone Music.

Seoul Park Music Festival 2026 turned disruption into a live-music stress test. Held on June 20 and 21 at Olympic Park in Seoul, the festival had to absorb a la...

Wild Sing turns Y2K idol nostalgia into strong visual comedy, but its viral buzz still has to prove theatrical conversion.

Ahn Ye-eun’s fifth album turns a 10th anniversary into a sharp review of rest, pressure, and authorship.

A review of why I Live Alone’s 6.8% peak matters, from Kian84’s pet-adoption story to Lee Sun-min’s solo-living routine.

Salmokji: Whispering Water crossed its 800,000-admission break-even in just seven days while turning its filming location into a viral tourist destination.

Jang Haneum's second EP 'Daydream' features double title tracks 'WANNA' and 'Only1' — and the M Countdown performance on April 2 showed why the 21-year-old singer-songwriter is one to watch.